One Shot (Redscale)
Suwon Hwaseong Fortress. HolgaGN. Crazy lomo redscale film. (I posted this over on flickr but I thought I would share it here as well.)
While in Seoul I found a decent price for a 3 pack of the Lomography redscale film and figured why not give it a go. Tossed it into the Holga and shot through the roll only later to discover it’s helpful to over expose the film a good amount in order to see better results. Guess I just wasn’t really thinking, pretty unlike me to jump into something without a fair amount of research beforehand.
From what I understand, redscale film is nothing too fancy, just normal color film only it has been spooled into the canister upside down so you are shooting through the base to the emulsion which results in strange color reactions. This shot was pretty much the only usable one from the roll due to everything being greatly underexposed. I suppose I will give it another go, maybe shooting through the hasselblad for more exposure control. While it was fun to try I am pretty sure I wont be using it again once I run out, a touch too gimmicky for my taste.
…to elaborate on my comment about it being gimmicky. I was thinking about it and realized its not particularly the gimmick that I find fault with, it’s more my personal approach to photography not having a place for this kind of image. I’m just not sure where it fits in with my other work. Like the X-Pro and double exposure ideas I have toyed with in the past the results can be fun but I never know quite what to do with them.
I have worked internally for quite some time looking for common themes and ideas within what I shoot and alternative processing never really seems to fit in with my end goals. Point being, I love this shot and have fun experimenting but its satisfaction feels very singular, like an island in that it feels isolated and disconnected from the rest of my work. Or then again, as YoungDoo mentioned to me, maybe its not simply a singular statement but the beginning of a new process I have yet to fully consider. We shall see.