Sneaking In

There is light, and then there is light that transforms a scene into something beyond its humble self. I still do all I can to seek out this kind of light and capture it, but the key to discovering it is time and a willingness to notice and take advantage of it. It can feel illusive and sometimes this sort of light seems to hide from me for what feels like months but then, I look up, and there it is, waiting impatiently for me to find the right angle to fully take advantage of it.

In this case it was one of the rooms of a rented house sitting in the middle of an otherwise empty field in Iceland on the day we were leaving it. The sun was gracious enough that morning to sneak out from under the clouds and bathe one side of the house with a warm glow. I wonder sometimes what makes this kind of light so comforting. Maybe it’s the physical warmth that it brings to mind, or the long contrasty shadows and shifting color temperature. Whatever it is, I still love it after all these years and I’m happy to share this little moment full of it for anyone in need.

Generally Happy

While sitting down with a pastry and hot cup of coffee this afternoon, I took a few minutes to listen to some new music and watch others go about their buisness. Everyone around me seems to be generally happy in their little phone worlds. Half smiles, heads cocked sideways, a table of prayer before eating their salads. Reflecting on life and people watching feels like a luxury and spending time like this to myself often makes me feel guilty because I immediately wonder, what else should I be doing right now that is surely more productive than this?

So I opened up my laptop and decided to pivot into sharing something new here with those of you still checking in on 50ft from time to time. I appreciate you, thanks for stopping by! Unless I’m just not paying enough attention, custom desktops and photography feels a little small in the grand scheme of things online these days. I figure that’s even more of a reason to keep doing what I do around here, carry on and share like I have been for so long. A day or two ago I dug out a few new images and readied them for sharing and I am happy to be here today doing just that.

Pulling from photos taken while in Iceland late last year I am struck by how dim and grey most of my images are from the trip. A thin layer of clouds were always drifting about overhead and the sun often only snuck out on rare occasions when it dipped low enough in the horizon to escape. So here in this moment the clouds won but the landscape there is beautiful no matter the circumstance so I tried to make the best of what I had to work with when given the opportunity to pull the camera out. I still enjoy shooting landscapes like these with a small aperture and a focus on where I stood rather than the grand whatever beyond in an effort to leave that grander for daydreams and whimsy rather than being so on the nose all the time.

At any rate, thats all for today, download links below, I hope to see you again soon!


Last November I was lucky enough to be in Iceland for just over a week. I had been invited there to photograph a wedding which was a lovely experience, pushing through frigid wind to seek out quick moments of beauty before our faces started to freeze and otherwise mirroring a couple as they explored. I felt blessed to have been asked along but I also figured I should take at least a couple of days to explore on my own so I chose to reserve a bed in a hostel and simply wander mapless through the streets of Reykjavík to see what I could find.

During this time I found myself reconnecting with a side of myself that only manages to come out when I have a clear mind and somewhere new to wander. Camera in hand I walked for miles over the course of those couple of days and enjoyed every moment of it.

Details around me have a way of glowing in my vision when I have the mental freedom to seek them out and among them was this one tiny leaf covered in dew off the side of the road along the edge of someones property. The smallest of cursory glances can lead us to such modest details full of understated beauty, and I feel as though I have nearly lost this sense lately so it was really nice to reconnect with this side of myself, even if only for a short while.

If you find solace in these little drops of water, there is of course a desktop version of it waiting on you to enjoy along with a second take of the scene. HD versions will be up on the Gumroad page for members (which has reduced price this year by the way but more on that when I have time to get to it). Links below, enjoy!

50Ft Radio Volume Eighteen

New year, new mix! How about that? I just cant give up on this series, I hold it to dear and still get emails about people discovering new music through them so it makes it all worth while. I’ve been sitting on this one for a while and finally had time between life at large to get it up. I figure this is a good way to start the year off. A year that I really am pushing myself to reconnect with the world of 50ft and see if I cant get the ball rolling again. So much unpublished content hiding in this laptop!

This episode is one I listened to a lot this past fall and slowly added the finishing touches to recently. I tried to work it out where it could loop and not feel like your missing a beat and beats are its emotional center this time around for sure. Just steady enough to turn up and dance to and just relaxed enough to sit back and enjoy or work to if thats the vibe. I quite like this music and encourage you to cherry pick your favorites and look into the artists closer if you find something you like.

Thats what this is all about after all! Spreading the word and sharing music and artists you guys may enjoy and connect with too. That said, here’s my usual mission statement on this series: This series is about the love of music and spreading that love with all of you. If you enjoy a song then by all means, look up the artist, buy their music directly from them, go to a show, shake their hand. The closer the better. They can’t keep doing what they love without us.

Links are below for direct download or the podcast feed (yes you need top copy and paste it into your player of choice to follow, but its a tidy way to have all of these in one place!) It is a mp3 file with chapters so you know who you are listening to but I have included a little screen shot of the playlist as well. Enjoy!

*Podcast Feed for your player of choice:

Direct Link:
Playlist (listen first! why spoil it?):


XS Computation

Oh, hello! How about we take a moment today to talk about the state of mobile photography as it pertains to the iPhone XS because it seems like its on the tip of everyones tongue as of late. Advances in computational, machine learning, super HDR, photography have certainly been blowing a lot of smoke as Apple and other mobile phone companies are trying to mimic, lets call them, full bodied, cameras using technology to overcome very clear and obvious limitations in size and physical ability.

First off, it’s worth noting, as of this writing I have only had a few days behind this camera, though what I’m going to discuss here I feel confident in my initial takes on the tech, I did want to mention this. Also, let me say up front, it’s nothing short of incredible how far these tiny sensored cameras have come through the years. Using technology and tricks to mimic and in some cases enhance the behavior and capabilities of full bodied cameras is brilliant and one can take truly delightful photographs with an iPhone, yet, and heres a key point I’m poking my head in today to address, under the right conditions.

After finally jumping in with the rest of you lot and moving to an iPhone with two lenses I am able to try and see what all this fuss is about.

I knew what to expect going in and figured I could simply take a few straightforward portraits right off the bat just to see how things faired with this selective virtual “aperture” post photo, so while at the park with my daughter I set off with my natural instincts behind a camera and went to work as though I had a 5D in hand. This is where things quickly fell apart and I had a firm realization that I had maybe slightly overestimated its abilities.

As we approached the playground little Milla was super excited to head straight for the swing and as luck would have it the afternoon sun was giving us its last several minutes of lovely golden backlight, my favorite! I knelt down low to capture the first scattered fallen leaves of the fall as she darted across to the swing set and upon an initial cursory glance at the results I thought to myself, cool! This could be pretty fun.

Next up she was loaded up on her swing and was kind of patient enough for me to snap a couple of shots before it was time to start pushing her along so I popped the phone into portrait mode and had at it. Again, at first glance, results seemed kind of nice but quickly I realized what felt so off about the shot, the chains in the swing had vanished into the backgrounds emulated blur. This and the lovely lens flare I chose to try and incorporate into the shot was totally lost to the effect.

At this point I gave her a push or two and purposefully pushed my luck trying to capture her in portrait mode while she was in motion swinging but that was far and away beyond possible. The phone made some weird attempts at capturing something but it automatically cropped it in strange ways to make the best of what I was trying to push it into and I quickly decided to give up forcing portrait mode to work with a moving subject.

A short while later she had made her way up to the top of the slide platform, another chance to have a little creative fun by framing her face using the safety bars around the top of the slide but again was quickly denied as my attempts and curiosity lead to a confused and messy algorithmic mask attempt, even with a relatively still subject, because of the shots vaguely complex nature. (See photos above and notice the confusing “focus” on the bars.)

I did this because I was curious if I could use objects in the foreground to frame my subject but because the technology is simply masking out what it thinks is in the foreground I was left in the cold as the bars and Milla’s face were sort of awkwardly stitched together into what it thought was the subject.

So then I figured I would move on to more of a softball shot, she was at the top of the slide hanging about, being as cute as ever, and i simply snapped a few shots that I figured it could handle easily. Still again the masking attempts were confused by the busy leafy green background and the bars which left a number of weird looking spots the mask didn’t quite cut out properly (on the right below). This was compounded by the failure of this tech to fully measure the distance from the camera lens to different parts of the frame leaving bits of the playground bars in and out of focus in seemingly random fashion (also seen above) as the software simply made its beat guess at what it should do. There was also one shot that left strange artifacts on her face from what I assume was mismatched layers from the auto HDR attempt (on the left).

So I gave up taking photos and simply enjoyed taking orders from a giggling Milla as she pushed me down a slide I was way to big for and left the shots to check back on later.

Using the new camera in portrait mode during this short time in a park was a pretty quick and clear reminder that while it’s a cool idea at its heart, it is a marketing gimmick and in a way a more advanced set of the same concepts brought on since the dawn of apps being on the app store which layered effects and post processing onto photos to hide and enhance the shortcomings of the cameras physical limitations. I also tried to use a couple of simple objects on my desk at work, again to see what I could accomplish with this mode or not and if you look at the corners of the book and the area around the glasses you may notice what I would call a failure. Close… but not really.

All that said, I don’t honestly think there is anything at all wrong with these results. It’s a ton of fun to shoot with the device you always have in your pocket and the more tricks they add to make it more enjoyable the better. It’s just that, like with any camera and lens ever made, there are compromises to be made in the way they can be used to the best of their ability and in this case there are a few takeaways I have from my early experience shooting with this camera that I will leave you with today as well as a few more of my attempts at finding ways to utilize the portrait mode in ways that weren’t as jarringly meh.

In general, I think its best to stick with the standard photo mode using one lens or the other, you won’t get to play with that aperture placebo slider but you will have a more stable image to work with in post work. On their own, depending on the distance from the focused subject, etcetera, there is some genuine potential for taking great photos with this alone. The way I see it (and a lot of others out there from what I’ve seen online), the smart HDR features really are the most clever and useful part of the newest advancements, not the portrait mode. Also, Live Photo’s after the fact are a really charming way to go back and revisit passing memories.

The portrait mode is really quite fun but to use the effect in a natural, realistic way its best to use it in places where the subject is in fact the singular visual focus of the photograph meaning, don’t place anything between the subject and the camera and keep a good healthy distance from the background of the subject as well for the best results. Minimizing other details and objects surrounding your subject helps quite a bit too and it’s also worth noting that the more visual contrast between your focus point and the background the better. If you have a light object or light edge on your subject and the background is also white or brightly lit, chances are that masking algorithm is going to get confused. Contrast is key here. In essence, put your subject front at center without anything else to distract at the closest distance away from the camera before the phone starts bugging you to back off and snap away.

Coming from years behind the prime lenses this technique emulates, it’s pretty easy to spot impossible depth added into photos using this kind of faked approach by looking at surrounding objects such as tables, chairs and the like but, does that really matter? Sometimes, when its really obviously wrong but usually its just a side effect that most will never notice is off. I do wonder though why they bothered to try and label the depth effect as aperture settings because its so far from being anywhere close to accurate, why not just have a slider with “more” on one end and “less” on the other?

Last but not least, it’s important to remember which mode suits the circumstance best! Don’t miss a great opportunity for a shot fiddling with portrait mode! Keep that ready for when its best use case scenarios line up and the modes namesake need is in play, a simple, well lit portrait.

Was I expecting the iPhone XS to match a full bodied camera? No, of course not, but even still, I was hopeful it could be used in quick, fun, creative ways while out and about in day to day life. Their marketing hyperbole would love you to believe otherwise but as I have been reminded here today, no matter which camera you shoot with there will always be compromises to be made and the value you extract from your camera of choice will depend on the balance between fitting your needs and the cameras ability to embody them.

I have a feeling that down the line, after a couple more years of this tech developing, we will start to see smarter and smarter realization of the portrait masking concept and the lines between full bodied cameras and mobile ones will continue to (pardon my pun) blur. For now, I for one know that I’m going to have a lot of fun playing around with a new set of tricks available but keep my full bodied cameras close for when I really want to dig in and take full control of a scene.

Also worth noting, all of the above photos were shot on an iPhone XS and edited with the built in photos app which I have never actually used much for editing on iOS and while it’s a little fiddly and limited can generate some nice, quick edits and is worth playing around with if you have not dug into it already. Can come in handy for simple little tonal adjustments on a snapshot. I look forward to seeing what else I can capture with the camera down the line and if your curious to see more mobile photo shots, my instagram feed is usually only fed with images from the iPhone. See you there!

Object No. 16

It’s been quite a while since adding to my brief “object” series of desktops. Looking back I wish I had done more with it. I started the idea as a means to encourage myself to find things to photograph even when inspiration or opportunity to shoot was running low and while wandering around my house with a camera this morning I decided it may be time to bring it out of hiding.
So what do we have today? I pulled this out of our camera cabinet, one of YoungDoo’s old cameras. I could be wrong but I don’t believe it is a functioning camera but I love the art deco like vibes of the body so it seemed like a natural choice for subject matter. I found a spot with a bit of early morning sun and here we are, with a mild tribute to time gone by. I’m thinking I may pick this idea back up and run with it. Could jump start my daily shooting habits again which as you may have noticed around here, I have been trying my best to grab onto. Enjoy!
P.S. – The iPhone download link is suitable for most all mobile devices, including iPads.

I’m Still Here

Note: iPad download link is a universal mobile wallpaper size will work both on iPads as well as iPhones. I’ll get the link text fixed up down the line. Wanting to make it easier to get back to posting desktops so I’m looking to streamline.

Fall Bloom

Note: iPad download link is a universal mobile wallpaper size will work both on iPads as well as iPhones. I’ll get the link text fixed up down the line. Wanting to make it easier to get back to posting desktops so I’m looking to streamline.

To whom it may concern,



• Enjoy the images! It’s a labor of love, thanks for your support!
• Share with friends.
• Send me a quick mail if you are interested in using an image for commercial or personal use other than wallpaper.


• Post desktops elsewhere online.
• Share links directly to images.
• Pass them around in mass.
• Make prints.
• Use images for web banners or graphics. (send a quick email to ask, I’m pretty easy going about this with permission.)
• Use them in commercial work.

If you help me out with these I will be able to keep doing what I love to do. Thanks again, really, for your support and understanding. -J


By downloading any content from you agree to the following terms:

All of the images contained within this website,, are property of, John Carey unless otherwise posted. The images are distributed as freeware but they are available for personal use only on your personal computer, tablet, or smartphone as your wallpaper image. Any use of these images for any purpose other than this is a violation of these terms and anyone found using said images will be asked to either compensate the creator for doing so or be asked to stop using them immediately.

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When sharing images via your personal blogs I kindly ask that you link back directly to either the post the image was taken from or the base of the website at and give a credit to Do not re-post full resolution desktop images anywhere without permission. If you would like to use an image for your blog background or something of the sort simply write to ask first. Support the artwork you admire! Also, it is greatly appreciated if you do NOT link directly to the zip files. This is more or less the same as re-posting them as it circumvents the tiny bit of support I ask of you which is to simply link back to the original post for others to enjoy the site.

It’s not fair to artists if you do not credit their work and link back to the original content creator. It is theft plain and simple and blogs that attempt to somehow be mysterious by not giving credit to the creators are simply hurting the artistic community as a whole. If you love it so much then please, support it! The artistic community on the Internet is based on trust. Without trust then what do we have? are you going to be one of the responsible users out there or will you be among the bottom feeders, stealing content and passing it off as your own to make a quick buck in ad sales.

Use your best judgement and we will get along just fine.

Thank you for your understanding and support!

John Carey (curator, owner)